Celebrating Jazz & Community

photo credit Maurice D. Robertson

Band Personnel
Warren Byrd - Piano
David Chevan - Bass
Will Bartlet - Sax and Reeds
Alvin Benjamin Carter Jr. - Drums
Orice Jenkins - Guitar and vocals
Saskia Laroo - Trumpet
Jocelyn Pleasant - Drums

Pianist/Composer Warren Byrd is a Hartford, Connecticut Hartford, Connecticut native with an international touring schedule after many fruitful years playing Jazz throughout Southern New England and New York. Born in 1965 the youngest in a family of sixteen, he grew up in a musically fecund world. His experiences with performing began with singing in the church choir with his older siblings and led to rich performing adventures during his teen years, exposing him to the vast past and present of musical ideas. By the time he'd been awarded a full scholarship at for Classical Voice at Hartt College of Music, he'd decided he wanted to be a jazz artist. Through listening to and absorbing an eclectic continuum of music, he formulated his approach to improvisation. He has journeyed with many groups and performers in jazz, r & bm world, latin, pop, etc., as well as Dance and Theatre. A short list of performers would include Archie Shepp, Eddie Henderson, Saskia Laroo, Steve David, David Chevan, Mixashawn Lee Rozie, Kenny Hamber, Alvin Carter, Charles Tolliver and many more.  Along with David Chevan, in 1999 they founded as an expansion of their duo project the celebrated group the Afro-Semitic Experience, with whom they have recorded several albums, including the soon to be, “Our Feet Began To Pray”.  Other recent efforts include the 2020 re-release of his album “Truth Raised Twice” and notable collaborations with his wife, Saskia Laroo, such as her most recent release, “Trumpets Around The World” and their live-streamed “Feelgood Fridays” series produced midst the pandemic.

Bassist and composer, David Chevan “My open-minded passion for music has led me to explore a wide range of musical realms from singing in synagogue, to playing bass in Jazz, Gospel, Polka, Klezmer, and Italian wedding bands. My musical training is as a Jazz bassist and much of my compositional thinking and experience derives from that experience. In most every other sense I am a self-taught composer and arranger. As a composer I have an ongoing interest in writing musical pieces that explore the intersection between vernacular cultural music practice and jazz. My compositions and arrangements include writing music for the Afro-Semitic Experience, and the Nu Haven Kapelye, a 30-piece klezmer Orchestra and Big Band. I also compose liturgical jazz compositions melding jazz improvisational practice with Jewish cantorial modes. I recently wrote the libretto and composed the music for “Letters from the Affair”, a music theater piece that mixed opera, cantorial and jazz elements together and I am currently composing a Klezmer Purim Spiel. In addition to performing duos with pianist Warren Byrd and co-leading The Afro-Semitic Experience, I direct, play bass, compose and write arrangements for the Nu Haven Kapelye, and for Bassology, my swinging jazz group. I have recorded 9 CDs under my name and with the Afro-Semitic Experience. In 2016, I wrote, arranged, and produced “What’s Nu” a CD of music for the Nu Haven Kapelye. That recording has roughly 30 musicians on many of the tracks.”

Will Bartlett has over forty years of experience as a professional musician and music educator. He studied with Jimmy Heath and Lew Tabackin and performed with Frank Foster, Lee Konitz, Slide Hampton, and Roswell Rudd among many others. Will practices Buddhism in the lineage of Thich Nhat Hanh where his dharma name is Compassionate Sound of the Heart.

Alvin Benjamin Carter, Jr., a multi-percussionist, is a husband, father and minister of The Gospel and is a mainstay in the Greater Hartford arts community. Known as “Babafemi” to his friends, his involvement in the community is multifaceted. He works as an educator, organizer, performer, consultant, adviser, and motivator. He is an original “Artists Collective Baby,” having his artistic beginnings in drums, dance and acting at The Artists Collective. He later taught drums at “The Collective, as did his father, Alvin Carter, Sr. His diverse music experience includes but is not limited to jazz, R&B, blues, Latin jazz, gospel, and world beat. As a performer he has been the drummer with The Afro-Semitic Experience, The Kenny Hamber Show, The Crystal Blue Project, Don DePalma and Friends, Tony Harrington, and Touch, Charmagne, People of Goodwill, La Orquestra Espada, Edwin West and many, many others. He currently leads LEGACY: The Keepers of Tradition and The Alvin Carter Project. He has also been a lead drummer for Sankofa Kuumba Cultural Arts Consortium where he plays west Afrikan and afro-caribbean drums.

Guitarist and vocalist Orice Jenkins is a recording artist, performer, educator, and genealogy researcher from Hartford, Connecticut. His music has been featured in Jazz Times magazine and charted at #11 on the iTunes Jazz chart. Jenkins has performed extensively across all genres, including Hip-Hop, R&B, Jazz, Gospel, and Classical music. He serves as the Executive Director of Música Franklin, an afterschool music program for youth in Franklin County, Massachusetts. Jenkins is also the author of Chesta’s Children, a genealogy blog that explores his deep stateside roots as a descendant of enslaved Americans. He ties his passions together in his lectures and historical presentations, commenting on the relationships between racism, culture, art, and family.

Saskia Laroo, hailed by American public and press at large as "Lady Miles of Europe", is one of the few women trumpet stylists, blowing for more than three decades. Born in Amsterdam, she began on trumpet at age 8, never dreaming of becoming a professional musician. That all changed when Saskia, turned 18, after briefly majoring in Mathematics at University of Amsterdam switched her focus to a career in music. She worked extensively in various groups from this point, primarily on upright bass, though eventually, on both bass and trumpet. Saskia Laroo combines today’s music by uncontrived romps into new styles, eagerly limned as "nu jazz" or "swingin’ body-music"--a vivacious blend of hip-hop, jazz, salsa, funk reggae, and world, that many other artists dare not venture. Her artistry and her groove ring vibrantly and free on her recordings journeying us through the music she has absorbed and plays from heart and soul.

Jocelyn Pleasant is a musician and educator, originally from Bloomfield, Connecticut. Her studies in percussion began at age 9 in her school band program, and then branched out to the Hartt School Community Division and the Artists Collective (Hartford, CT). She continued her studies in Washington, DC, as a Presidential Arts Scholar at The George Washington University from 2000-2004. Currently, Jocelyn is pursuing a Master's degree in Ethnomusicology at Wesleyan University. As an educator, Jocelyn has been on staff with many schools and programs including the Artists Collective, Green Street Arts Center (Middletown, CT), Center for Creative Youth (Middletown, CT), Institute for the Musical Arts (Goshen, MA) and The Greater Hartford Academy of the Arts (Hartford, CT), teaching theory, percussion, and African/Cultural Rhythms to students of all levels. Jocelyn's performance credits on drum set and percussion are extensive and showcase her versatility and ability to play many genres of music (jazz, blues, West African, funk, reggae, Latin, etc.). She is currently the percussionist for The Afro Semitic Experience and drummer for Orice Jenkins, both based in Connecticut. She also leads her own band, The Lost Tribe, which fuses traditional West African music and percussion with other styles of music.